Características del Sintetizador Sequential Prophet-6
OSCILLATORS
- Two newly designed, discrete VCOs per voice
- Continuously variable wave shape (triangle, sawtooth, pulse, square) per oscillator
- Pulse width per oscillator
- Hard sync: oscillator 1 syncs to oscillator 2
- Triangle sub-octave generator (oscillator 1) per voice
- Low frequency mode (oscillator 2)
- Keyboard tracking on/off (oscillator 2)
- Oscillator slop amount for increased tuning instability, from subtle to extreme
MIXER
- Oscillator 1 amount
- Oscillator 1 sub-octave amount
- Oscillator 2 amount
- White noise amount
HIGH-PASS FILTER
- Two-pole, resonant, high-pass filter per voice
- Bi-polar filter envelope amount
- Velocity modulation of envelope amount
- Keyboard tracking: off, half, full
LOW-PASS FILTER
- Four-pole, resonant, low-pass filter per voice, inspired by the original Prophet 5 filter
- Filter can be driven into self-oscillation with the Resonance control
- Bi-polar filter envelope amount
- Velocity modulation of envelope amount
- Keyboard tracking: off, half, full
FILTER ENVELOPE
- Four-stage (ADSR) envelope generator
- AMPLIFIER ENVELOPE
- Four-stage (ADSR) envelope generator
- Velocity modulation of envelope amount
LOW FREQUENCY OSCILLATOR
- Five wave shapes: triangle, sawtooth, reverse sawtooth, square, and random (sample and hold)
- Clock sync (internal or external MIDI clock)
- Initial amount
- Mod destinations: oscillator 1 frequency, oscillator 2 frequency, oscillator 1 and 2 pulse width, low-pass filter cutoff, high-pass filter cutoff
POLY MOD
- Sources: filter envelope (bi-polar) and oscillator 2 (bi-polar)
- Destinations: oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, low-pass filter cutoff, high-pass filter cutoff
AFTERTOUCH
- Source: channel (mono) aftertouch with bi-polar amount
- Destinations: oscillator 1 frequency, oscillator 2 frequency, LFO amount, amplifier envelope amount, low-pass filter envelope amount, high-pass filter envelope amount
CLOCK
- Master clock with tap tempo
- BPM control and display
- MIDI clock sync
ARPEGGIATOR
- Selectable note value: 16th note, 8th note triplet, 8th note, dotted 8th note, quarter note
- One, two, or three octave range
- Up, down, up/down, random, and assign modes
SEQUENCER
- Polyphonic step sequencer with up to 64 steps and rests
EFFECTS
- Stereo analog distortion
- Dual, 24-bit, 48 kHz digital effects, including: reverb (room, hall, plate, spring), delay (full bandwidth digital delay and emulated bucket brigade and tape delays), chorus, and phase shifter
- Delay sync
- True bypass maintains fully analog signal path when digital effects are off
PERFORMANCE CONTROLS
- Full-sized, semi-weighted, 4-octave keyboard with velocity and aftertouch
- Backlit pitch and mod wheels
- Spring-loaded pitch wheel with selectable range per program (1 to 12 semitones up and down)
- Transpose controls for an 8-octave range
- Hold switch latches held notes on
- Polyphonic glide (portamento)
- Unison (monophonic) mode with configurable voice count, from one to all six voices, and key modes
- Preset switch: when off, the front panel is live; what you see is what you hear
Classic Tone, Classic Vibe
Central to the warm, punchy sound of the Prophet-6 are its two newly-designed, discrete voltage-controlled oscillators (plus sub-oscillator) per voice. Continuously variable waveshapes provide the tonal palette with triangle, sawtooth, and variable-width pulse waves. There are two discrete filters per voice”a four-pole, resonant, low-pass inspired by the original Prophet-5 filter, and a two-pole, resonant, high-pass filter. Voltage-controlled amplifiers complete the all-analog signal path.
Dual Effects
The dual effects section provides studio-quality reverbs, delays (standard and BBD), chorus and phase shifter. While the effects themselves are digital, with 24-bit, 48 kHz resolution, a true bypass maintains a full analog signal path. There’ also an independent stereo distortion effect, which is 100% analog.
Poly Mod and Poly Step Sequencing
Also present from its classic predecessor is a Poly Mod section, with enhancements. True to the original, modulation sources are filter envelope and oscillator 2 (both with bi-polar control). Destinations include oscillator 1 frequency, oscillator 1 shape, oscillator 1 pulse width, low-pass filter cutoff, and high-pass filter cutoff. Another welcome reprise is Unison mode, which features configurable voice count (1-6 voices) and key modes. The polyphonic step sequencer allows up to 64 steps and up to 6 notes per step. You can create sequences polyphonically, with rests, and sync to an external MIDI clock. The full-featured arpeggiator can be synced to external MIDI clock as well.
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